Strobes pulsed through fog as a tightly packed audience sought to get a shot of the DJ.
Revered for his contributions to electronic dance music, Gareth Emery was in the box at London’s Ministry of Sound last weekend, there to show off the synths that have helped him win the prestigious “A State Of Trance Tune Of The Year” award three times over.
Fans were quickly sent into delirium, almost as delirious as crypto enthusiasts can sometimes seem – an interesting link since Emery, with his new startup Choon, wants to replace the antiquated digital music industry with ethereum tech.
Like many gigs that Emery has played in the past months, the night is a sell out.
“I’m one of the lucky ones,” Emery told CoinDesk backstage. “I get paid really well because I have a lot of fans that will come and see me do gigs.”
However, many musicians are less privileged as their audiences have turned to recorded music, Emery said. In that market, musicians are paid ridiculously low royalties on notoriously unreliable payment rails with long wait times.
“It’s fucking horrendous,” Emery said. “Basically we have this system that was designed in the days of sheet music and jukeboxes 60 years ago and it’s never been changed.”
According to Emery, while the music industry is anything but short on cash, it has failed to adapt to technological advancements.
But Choon looks to fix that. A streaming service that “mines” via a smart contract, Choon gives 80 percent of profits directly to musicians – a step up from similar services like Spotify – which pay out disturbingly low fees (some musicians have estimated it’s as low as $0.004891 per stream).
Emery told CoinDesk:
“We took a different path and said, ‘If you were to design the music industry today, how would you do it?'”
Musician as miner
And according to Emery, using blockchain “for what it’s really good at – money and contracts” is exactly how to create a more equitable